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He does arrest Mildred’s black friend for a trumped-up drug charge, but it seems like a personally motivated act of revenge rather than one of racial bigotry. In the whole “person-of-color-torture-business” exchange it’s really unclear whether he’s mocking the term or sincerely using it. But when he’s talking with his mom about how times have changed regarding race in the south, he actually doesn’t seem upset about it. But what evidence do we really have? We’re introduced to him using a racial slur, and he’s the “villain” of the film’s first half. One of the funny things about the criticisms of the handling of Dixon’s character is how they assume he actually did torture a black person like he’s been rumored to. It is alluded to with the story of Dixon’s alleged torture of a black person. When there are witnesses we keep being presented with this idea of “his word against yours.” We hear this with Mildred’s account of domestic abuse, and the episode with the dentist. In the beginning when we still believe the righteousness of Mildred’s cause and she speaks with Chief Willoughby she keeps telling him that they should take blood samples from everyone in the state, or everyone in the country, obviously completely unconstitutional proposals as he points out. Again and again in the film we have the ideas of proof and how we discern guilt upended and deconstructed.
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If unconditional forgiveness is one core idea of the film, the other is the elusiveness of justice. The characters are trapped in a cycle of violence, maintaining it with their misplaced grief, and the Catholic idea of unconditional forgiveness is the only path to healing. McDonagh draws heavily from his Catholicism in his work, and Three Billboards is no exception. We see this happen to Mildred when she’s at the restaurant and her husband is there, and she’s about to smash him with a champagne bottle because she learns he burned her billboards, but in the end after contemplating all the violence she has wrought she decides against it. made up for what they’ve done, but because at the most basic level they are a human-being, which inherently makes them worthy of compassion, and in forgiving them you give them a chance to be a better person. But also you forgive people not for having “redeemed themselves” i.e. McDonagh posits that forgiveness is something you do most importantly because holding on to your hatred makes you suffer first and foremost. This is why I find the whole idea of “redeeming Dixon’s character” as a ludicrous criticism. We see this when Red finds Dixon burned, next to him in the hospital and chooses to show him kindness, despite all the man has done. The film posits forgiveness as a counterpoint to rage. Chief Willoughby even lays this out explicitly in his letter to Dixon- “as long as you hold on to so much hate, then I don't think you're ever going to become, what I know you want to become.” You can knock the film for being too obvious here, and yet almost every attack on the film seems like it has totally missed this point. The obvious thematic core of Three Billboards Outside Ebbing, Missouri is that you need to let go of your rage and hate, because they are festering wounds inside you, totally destructive forces that can consume you. She is channeling her grief, and through it her rage and hatred, into a PR campaign against a man dying of cancer. What becomes apparent is that Mildred Hayes is being unfair to the police, who really do care about solving the murder.
WHERE CAN I WATCH THREE BILLBOARDS OUTSIDE EBBING MISSOURI MOVIE
The movie pretends to be about a heroic, plucky woman facing an incompetent and racist establishment, but the film quickly subverts the conventional David vs. One of the reasons I believe it has been misinterpreted is because one of its principle selling points was being a social-issues drama about police-racism and corruption, which is a feint the movie makes before it swerves, telling a more personal and nuanced story. Also I feel that the film has been much maligned, often misread and completely misunderstood by a lot of its detractors. There has been a lot of discussion of this film on this sub and elsewhere, but the reason I want to get into it again is because I have yet to see a cohesive explanation of the central themes and ideas laid out.